|
A B C D E F G H I J K L M N O P Q R S T U V W X Z
A&B
Rolls |
Academy
Aperture
|
Academy
Leader |
A.D.R.
|
Anamorphic
|
Answer
Print |
Aperture
|
Apple
Box |
Arm
|
Aspect
Ratio |
A.S.A.
|
A-Wind
and B-Wind
Backwind
|
Balance
Stripe |
Barndoors
|
Barney
|
Base
|
Bayonet
|
Best
Light |
Bin
|
Black
Leader |
Blow
Up |
Blow
Down |
Blimp
|
Blimped
Camera or Self-Blimped Camera |
Bolex
|
Bounce
Card |
Bracketing
|
B-Wind
Cable
Sync |
The
Call |
Camera
Core |
Camera
Original |
Camera
Noise |
Camera
Reports |
Camera
Roll |
Camera
Stock |
Camera
Tape |
Canted
Angle |
Cement
Splice |
Changing
Bag |
Check
Print |
“Cheat”
|
Cinch
Marks |
Clamp
Light |
Clapper
|
Clapstick
|
Clap
Board |
C-Mount
|
Co-axial
Magazine |
Code
Numbers |
Colorist
|
Color
Temperature |
Conformations
|
Conforming
|
Contact
Printing |
Continuity
|
Coocoloris
|
Cookie
|
Core
|
Corrected
Print |
Corrections
|
Coverage
|
C.R.
|
Critical
End! |
Cross
Modulation Test |
Cross
Processing |
Crystal
Sync |
C.T.B.
|
C.T.O.
|
C-Stand
|
Cue
Sheets |
Cut
|
Cutaway
Dailies
|
Daylight
Balanced |
Daylight
Spool |
Depth
of Field |
Diffusion
|
Diopter
|
Dissolve
|
Dolly
Shot |
Double
Exposure |
Double
Perf |
Double
Reel |
Double
System |
Double
System Projector |
Dubbing
|
Dupe
|
Dutch
Tilt
Edit
|
Editing
Bench |
Editing
Bin |
Editorial
Sync |
Edge
Fog |
Edge
Numbers or Latent Edge Numbers |
E.D.L.
|
E.C.N.
|
E.I.
|
Emulsion
|
Emulsion
Batch |
Emulsion
Leader |
Emulsion
Type |
Eye
Line |
Estar
Base |
Exciter
Lamp |
Exposure
Index |
Extention
Tubes
Fade
|
5,400K
|
Filler
|
Fill
or Sound Fill |
Film
Cement |
Film
Speed |
Film
Plane |
Filter
|
Fixed
Focal Length Lens |
Flag
|
Flare
|
Flash
Frame |
Flatbed
|
Flex-Fill
|
Focal
Length |
Fog
|
Foley
|
Follow
Focus |
Footage
|
Foot
Candle |
Frame
|
Frame
Handles |
Frame
Line |
French
Flag |
F-stop
|
Fullcoat
Gaffer’s
Tape |
Gate
|
Gauge
|
Gel
|
Gobo
|
Groundglass
|
Guillotine
Halation
|
Half
Apple |
Halogen
|
Handheld
|
Head
|
Head
Room |
Hi
Hat |
HMI
|
Hot
Splicer |
House
Lights |
Hyperfocal
Distance
Incident
Light Reading |
Infinity
|
Insert
Shot |
Interlocked
|
Internegative
|
Interpositive
|
Intervalometer
|
Iris
|
I.S.O.
Jump
Cut
K
|
Kelvin
Lab
Roll |
Latent
Edge Numbers |
Latitude
|
Lens
Flare |
L.F.O.A.
|
Lights
|
Lightleak
|
Lip
Sync |
Loading
Booth |
Location
Sound |
Locked
Cut |
Locked
Down Shot |
Long
Lens |
Loop
|
Looping
|
Low
Con Print
Macro
Lens |
Mag
|
Magazine
|
Mag
Stock, Mag Track or Magnetic Film |
Mark
|
“Mark
it!” |
Master
Shot |
Matte
Box |
Matte
Shot |
M&E
|
Mix
|
Mixer
|
Mixing
House |
Mix
Master |
M.O.S.
|
The
Movement |
Moviola
|
Moviscop
Negative
|
Negative
Cutter or Negative Matcher |
Non-Reflex
|
Normal
Lens |
Nose
Room
One
Light |
Optical
Printing |
Optical
Sound |
Optical
Track |
Opticals
|
Orange
Stick |
Original
|
O.C.N.
|
Outdated
Stock |
Outtakes
|
Overcrank
|
Overexposure
Paper
Tape |
Pan
|
Parallel
Editing |
Perf
|
Pigeon
|
Pilottone
|
Pitch
|
Picture
|
Pix
|
Photo
Flood |
Plastic
Leader |
Polyester
Base |
P.O.V.
Shot |
Practical
|
Preroll
|
Pressure
Plate |
Print
|
Print
Stock |
Printer’s
Sync |
Production
Sound |
Projection
Sync |
Pull
Down |
Pulldown
Claw |
Pull
Processing |
Pull
Up |
Push
Processing
Quarter
Apple |
Quartz
Light |
Quick
Release |
Quick
Release Shoe
Rack
Focus |
Rank
|
Raw
Stock |
Reaction
Shot |
Recans
|
Reduction
Print |
Reel
|
Reflective
Light Reading |
Reflector
Board or Reflector Card |
Reflex
|
Registration
|
Registration
Pin |
Release
Print |
Resolver
|
Reversal
|
Reverse
Shot |
Rewinds
|
Rivas
|
Room
Tone |
Rough
Cut |
Rushes
“Safety”
|
Sandbag
|
Scene
|
Scratch
|
Scratch
Mix |
Scratch
Test |
Scratch
Track |
“Second
Sticks!” |
Selects
|
Silent
Camera |
Silent
Speed |
Single
Perf |
Single
Reel |
Single
System |
Sharpie
|
Shooting
Ratio |
Shortends
|
Shot
|
The
Slate |
Slop
Print |
Slug
|
S.M.P.T.E.
Leader |
Soft
Light |
Sound
Blanket |
Sound
Reader |
Sound
Speed |
Sound
Slug |
Spacer
|
Specifics
|
“Speed!”
|
Spider
|
Spikes
|
Splice
|
Splicing
Tape |
Split
Reel |
Spool
Down |
Spot
Meter |
Split
Screen |
Spreader
|
Spring
Lock |
Sprocket
|
Sprocket
Holes |
Spun
|
Squawk
Box |
Streamer
|
Steenbeck
|
The
Sticks |
Stinger
|
Stripe
|
Super
16 |
Super
Speed |
Superimposition
|
Sync
|
Syncing
|
Sync
Mark |
Synchronizer
|
Sync
Sound
Tachometer
|
Tail
|
Tail
Slate |
Take
|
Take
Up Reel |
Take
Up Spool |
The
Taking Lens |
Tape
Splice |
Telecine
|
Telephoto
|
3,200K
|
Tie-In
Kit |
Tight
Wind |
Tight
Wind Hub |
Tilt
|
Time
Lapse |
Timed
Print |
Timer
|
Timing
|
Timing
Lights |
Timing
Report |
Tone
|
Tracking
Shot |
Trims
|
Trim
Bin |
Tripod
Head |
T-Stop
|
Tungsten
|
Turret
Ultra-Sonic
Cleaner |
Ultra-Sonic
Splicer |
Undercrank
|
Underexposure
|
“Unprofessional”
|
Upright
Moviola or Upright
Vari
Speed |
Vault
Box
Wet
Gate |
Wide
Lens |
Wild
|
Wild
Sound |
Workprint
|
A
Wrap or “It’s a Wrap!”
Xenon
Zero
Cut |
Zoom
Lens
|